SCFSM series
Available projects
SCFSM – This enigmatic acronym embodies the essence of my creative process. It derives from the words: Solid, Composition, Form, Space, Material. Each of these stages is crucial in creating a cohesive and authentic collection. By following this structured process, my sculptures take shape and develop character. I chose to name my creative process after my works because I believe that authenticity – the source of joy and the definition of every artist – is born in this very moment of artistic creation.
SCFSM 1
SCFSM 2
SCFSM 3
SCFSM 4
SCFSM 5
SCFSM 6
SCFSM 7
SCFSM 8
SCFSM 9
SCFSM 10
The presented projects from the SCFSM series are available for realization. The color of the finish can be customized between projects. The height of the sculptures shown in the visualizations is 6.5 meters. The material used for their realization is acid-resistant steel. Each project is priced individually depending on the agreed dimensions, location, and deadline. A technical design, prepared by a structural engineer to ensure safety, will be added to each project. The scope of work includes project execution, transportation, and installation. Each project is unique and one-of-a-kind.
SCFSM series
S (Solid)
Solid is the first step. It is the choice that gives the sculpture its personal and profound dimension. My inspirations come from my early experiences – a time of intense passions that shaped my life. The sphere symbolizes tennis, a sport that defined my goal and discipline during years of professional competition. The cylinder refers to ancient architecture, reflecting my fascination with Greek and
Roman mythology, where columns – geometric cylinders – were an inseparable element of monumental structures.
C (Composition)
I treat the selected solid as raw material: I divide it, multiply it, and change its scale. I explore its potential – edges, planes, and curves. Each element is placed into carefully thought-out configurations to ultimately create a cohesive, harmonious, yet asymmetrical and varied form. This way, every sculpture tells a story and invites the viewer to rediscover it.
F (Form)
Form is both the result and the heart of the process. I focus on stereometry – the form must intrigue, surprise, and invite exploration. Through abstraction, I leave the audience with complete freedom of interpretation. It becomes an intellectual game that stimulates imagination and encourages reflection.
S (Space)
For me, sculpture is more than just an object – it is an interaction with space. My works are meant to divide it, merge with it, influence it, and complement it. They become part of their surroundings – independent yet integral elements. I consider this the essence of three-dimensional artistic creation – form and space must exist in symbiosis and interact with each other.
M (Material)
Each sculpture is finished with a mirror-like surface in intense colors such as red, turquoise, or violet. The reflective surface creates an interaction with the viewer and a dialogue with the surroundings – reflections, light play, and distortions give each sculpture a dynamic and ever-changing character depending on the time of day and season. Colors introduce an element of fantasy and playfulness, inviting the audience into a world of joy and carefree imagination. The material must be timeless. I choose acid-resistant steel – durable, weather-resistant, stable, and offering vast creative and technical possibilities.